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Koss Blog

Koss 2023 Year-End Publication Update

December 5, 2023 ·

Shed in snowy field with oak tree
Shed, Michigan

2023 has been a year of uncertainty, change, and loss, but it ends on a welcome high note as Diode Editions has picked up my long chapbook, Dancing Backwards Towards Pluperfect, for publication. See more about this in my contest announcement post. The book will be published in 2024, and I’ll post updates as things progress (here and on social).

Rather than make this a 1/4-year post, I’m switching the format and including the entire year’s publications and events on this page. My publication page has grown unwieldy, as has my unlinktree page, which I’m shortening. So here they all are in one convenient place, minus the publications that didn’t appear as scheduled in November. If they miraculously appear online this year, I’ll be updating this and posting on social. It’s Tuesday and I’m glowing inside and grateful to the editors who have published my work, the folks who read and shared my work all year, and especially grateful to Diode who has supported my work over the last few years. I respect their mission to publish diverse voices and am honored to be one of their authors.

Visual Poetry/Asemic Art

Erasure Poem | (Re) Ideas
Erasure Art and Asemic Work x4 | Sage Cigarettes
Photograph | Bonemilk II Anthology
Crossword Poem/Collage | Beaver Magazine
Visual Poetry x 6 | Anti-Heroin Chic
Crossword Poems x 2 | Petrichor, Pebbles Vol. 3
Asemic Pieces & Erasure Collage x 4 | diode poetry Vol. 16., No. 3
Asemic Cover Art and Inside Publication | Cutbow Quarterly
Visual Poem | Beaver Magazine, October ’23
Asemic Pieces x 3 | Up the Staircase Quarterly Nov. ’23
Cover Art | Gone Lawn 52, Nov. ’23

Poems

Three Poems | Anti-Heroin Chic
Five Poems | Speakeasy
Storm | San Pedro River Review Vol. 15, No. 2
Color Therapy for Beginners (hybrid, prose, zuihitsu?) | diode poetry
Ms. Liberty | Beyond the Frame Anthology
Two Poems | Bone Milk II Anthology
To the Girl | San Pedro River Review Vol. 15, No. 1
And So On in a Week (hybrid, zuihitsu, prose?) | Bulb Culture Collective
47/August 11/Black Synchronicity (hybrid list poem) | Red Ogre Review
Eight poems | Roi Fainéant

Fiction/Flash/Micro/Hybrid

The Short Lives of Wombats | MoonPark Review
Four Micros | Flash Boulevard
Fall of Toby and Lady (hybrid zuihitsu/published in the journal too) | Get Bent Anthology
Friday, Saturday | Anti-Heroin Chic
Backyard Passages (double haibun) | Soflopojo

Award Nominations

Photograph BoTN | Anti-Heroin Chic
Artwork BoTN | Sage Cigarettes
Cover Art BoTN | Gone Lawn
Prose Poem BoTN | MoonPark Review
Poem BoTN | Petrichor

Readings

Second Sunday Readings | YouTube
Make the Yuletide Gay, Queer Reading & Open Mic (Dec. 24) | Sign up

In 2024, if all goes as intended, I have publications forthcoming in Reckon Review, Action, Spectacle, Sugar Sugar Salt Lit, Bull, Fifth Wheel Press’s garden anthology, Milk and Cake’s Dead of Winter III anthology, and Amy Marques’ Duets Anthology, so lots to look forward to in publishing.

Happy end of the year to you and may the new year bring you love, health, and everything you need.


Diode ’23 Poetry Contest Chapbook Winners

December 4, 2023 ·

I’m very honored to have my manuscript, Dancing Backwards Towards Pluperfect chosen for publication in Diode’s ’23 Poetry Chapbook Contest. I’m very grateful to Patty, Law, and Zoe for this publication. Diode has been a wonderful supporter of my work, publishing multiple text poems, visual poems, and including me in their anthology, Beyond the Frame. I love their mission, their commitment to inclusivity, and the writers they publish. They are, I believe, in a class by themselves. Here are two graphics showing all the winners and runner-ups. Congratulations everyone!

bedspread and curtains with flower power flowers and contest text with diode logo and '23 chapbook and book contest winners
bedspread and curtains with flower power flowers and contest text with diode logo

And here are the names and titles of the winners and runner-ups from both the book and chapbook contests (borrowed from Diode’s website). The books will be published in 2024. Stay tuned for more information, and follow Diode on Twitter and Instagram for updates.

2023 Book Winners and Finalists

Full-length Book Prize Winners

all children., Shabnam Piryaei
No Rest, Jason Koo

Chapbook Prize Winners

Difficult, Rewa Zeinati
BOOT-less →, Trace DePass
Dancing Backwards Towards Pluperfect, Koss

Full-length Book Prize Finalists

Ofrenda, Anaïs Deal-Márquez
PERISH / ABOLISH, Mia Kang
Book Content to Breathe Inside the Tree, Patrick Lawler 
Between the Sun and The Moon, Xiaoly Li
Slowly Our Faces Come Into View, Lea Marshall
Devil Music, Charlie Clark 

Chapbook Prize Finalists

Occurrence of a Dream Translated by Animals, M. Cynthia Cheung
Dreams of Labrador, Christopher Brean Murray
My Abandoned Poems, Owen McLeod
Frankie’s Daughter, Haro Lee
DIDA, Karan Kapoor
The Mariachi at the End of Time, Christopher Nelson
Landscape for the Lost, Aiden Heung
Beneath Salt, Anna Tomlinson
Tapestry, Kirun Kapur 

Fiction 2023 by Koss

November 19, 2023 ·

asemic art with yellow, red, pinks, and blacks and grays with wavy lines, shapes and scrawl

I see people doing eligibility posts for the fiction award nominations on Twitter. I’m not sure about the etiquette here, but here are my fiction, flash, and microfiction pieces published in ’23. And they could benefit from some more reach. Grateful for the publications, y’all. Thank you for checking these out.

  • Near-Death Experience at Hero’s BBQ | Flash Boulevard
  • Work But(t) | Flash Boulevard
  • The Short Lives of Wombats | Moonpark Review
  • Backyard Passages (Haibun) | Soflopojo  
  • The Soup | Flash Boulevard
  • Hair | Flash Boulevard
  • Friday, Saturday | Anti-Heroin Chic

2023 Three-Quarter Year Publishing Update | Koss

November 3, 2023 ·

asemic art with earth tones, watercolor, and black ink characters in square format
Asemic Writing Image Published in Cutbow Quarterly

It’s been a busy publishing year and since creating a “What’s New” page, I’ve been really lazy about updating the site. I see people are actually looking at my blog, so I should be writing something brilliant for you (thank you for checking it out). Truth is, my Aquarian brain is sometimes visual, sometimes verbal, and sometimes able to write things. But I’ve mostly been in visual mode all year… so I hope you enjoy those things. I’ve had lots of publications since my last update. You will find some, but not all on my “What’s New” page. If you are not up to reading, you can certainly skip to that page for quick links. But know there are some erasure poems at the end of this article.

Compared to other years I submitted SIGNIFICANTLY less this year, but I did submit some. You may have read the popular blog post suggesting you submit 100 subs. I think 200-300 is a better range if you are serious about publishing. Of course, if you do long-form writing, 300 will probably not be possible, but if you write microfiction, flash, and poetry, maybe…


You will hear criticism about sending lots of subs and, of course, editors would like to feel their magazine is special so you should only submit to them and a couple of select others, but here’s the thing, their journals can still be special while you are trying to take care of yourself. Subbing in quantity is especially important for marginalized people as we don’t have access to the same networks and, I have to say, privileges that certain other groups have. This does not reduce it to a numbers game — you should still send to journals you like and editors you trust. If 300 is overwhelming, then start with 100. If you’re only submitting to say, those university presses and fancy publications, you might get a 3-percent placement. From what I’ve heard, this would not be a bad number, depending on the acceptance rates of the publications. But enough of my advice.

So here are a few highlights of my publishing life since April (when I published my last update). I had five poems including a new erasure published in Speakeasy, a new queer journal. They are to be compiled into their inaugural issue. If you like Transformers, you’ll like the erasure. It’s so nice to get a little love for erasure poems.

Cutbow included an asemic piece and used it for the cover (check out the main image on this page). If you haven’t seen Cutbow, it’s a very professionally managed (by editor, Arden Hunter) print and digital journal for experimental and visual poetry.

pink flamingos with beaver mag text and orange and pink psychadelic background

I have two Wuthering Heights visual erasures forthcoming in the print version of Permafrost. They say it will be released this month after a long delay. Fingers crossed. You can find more of my Wuthering Heights pieces here and here in several other journals including Sage Cigarettes and Beaver Mag, both run by lovely people, I can’t say enough nice things about the Sage Cigarettes staff (Sadee, L.E., Steph and all). Beaver Mag also included one of my crossword poem/collages in their “Tacky and Tasteless” issue this past summer. Beaver Mag is a queer-friendly newer journal with very diverse taste in art and poetry. They are LOVELY and friendly. You should send them work if they seem like a good fit.

black eyeglasses with purple lenses on pink background with promotional text

Another of my favorite journals for experimental work, Petrichor, also published crossword poems in their latest giant issue. They were published in the Pebbles section and they have a new future/sci-fi call up soon you might want to check out. I believe the deadline was extended, but I’d check out their Twitter or Blue Sky page for updates. Petrichor also blew me away with a BoTN nomination for an ekphrastic poem they previously published. Find it here. Seth (EIC) is another extremely professional editor and I highly recommend Petrichor, especially for experimental writing and visual poetry.

I have several new asemic writing pieces up at Up the Staircase Quarterly. They do an excellent job of displaying art and there’s lots to look at in this issue, so be sure to check it out. April is another super-nice-professional editor to work with.


I was lucky to get invited to Second Sunday readings. You already missed it, but it lives on YouTube.


And, finally, I was blessed to receive some Best of the Net nominations this year. You can read about them and find links to the work, along with many of the other nominees on this dedicated page. I’m very grateful to all of the editors for thinking of me, and this happened during a rather discouraging time… Being a writer and artist is a tough path, as I’m sure you know if you’re reading this.


Be well. Keep writing, painting, drinking coffee, and most of all, I hope you’re making space for joy. My recent joys include joining an asemic group on social and seeing all the wonderful work people do. There is something very different about taking in art as opposed to reading for me as it occurs in a “brain-rest” state. I highly recommend inviting visual art into your world. The other joy over the last couple days is the blackout rejection letter poems people are sharing on social. I’ll leave you with several I made. Thanks for stopping by.

Best of the Net 2024

October 6, 2023 ·

I’m blown away to have received five 2024 Best of the Net Nominations from five literary journals this year. I haven’t published much written work, so I was extra pleased that MoonPark Review, a gem of a journal, nominated my “The Short Lives of Wombats” piece for the prose poems category. And Petrichor nominated an ekphrastic piece about a Joan Mitchell painting. As an artist, this made me especially happy. While ekphrastic writing is popular among poets (and published a lot), mine have always been hard to place. Maybe because they tend to be a bit raunchy. Whatever… This made me happy.

I haven’t previously received any nominations for art, so the following BoTN nominations were also extra special. Anti-Heroin Chic, a journal that has treated me very well over the last few years, nominated a photograph. And Gone Lawn, a journal that also blessed me with repeat publications and previous nominations, nominated my cover from Issue 46 for art. And finally, Sage Cigarettes Magazine, whose staff have been so good to me, nominated my asemic piece, “Love Letter to Queers Who Suicided” for art—and having this come out during Suicide Prevention and Awareness Month makes it extra special. Of course, making it to the finals or getting selected is a super-long shot, but being nominated is a huge honor, and I’m so grateful to the editors for selecting my work.

Following are some screenshots of some of the nominees. I’m wishing you all the best of luck and a huge congratulations. And while I trust the editors’ expertise, I realize there was a huge element of luck in this, and there are lots of deserving published work out there that didn’t receive nominations, and even more who haven’t made their way into zines yet.

Thank you Amy Barnes, Owen Wyke, Seth Copeland, Caleb Jordan, Sadee Bee, L.E. Francis, Stef Nunez, Mary Lynn Reed, Leslie Weston, James Diaz, Roy Duffield, and the staff of these journals for all their dedication to literature.

And lastly, if you are an editor, please know that you can submit art including covers, visual poems, visual erasures, and asemic art to Best of the Net. I felt bad seeing again this year many journals who solicit art not submitting art (when they submitted for other categories). Artists are important contributors to indie lit.

Here are some links to my BoTN nominations followed by screenshots of some of the nomination promos:

Love Letter to Those Who Suicided | Sage Cigarettes

Untitled Photograph (second image) | Anti-Heroin Chic

The Short Lives of Wombats | MoonPark Review

The Hudson Looks Different | Petrichor Magazine

Issue Cover | Gone Lawn


pink and blue abstract swirls with Anti-Heroin Chic's 2024 best of the net nominees
drawing of girl on top of spooky buildings with text for Gone Lawn's 2024 best of the net nominees
orange background with text for moonpark reviews 2024 best of the net nominees
pink background with purple and pink text and names for Petrichor's 2024 best of the net nominees
tan desk with tape and pen and best of the net 2024 text for sage cigarettes

Also, I’m due to write another publication update. I wrote one in April, but this will probably be in December, as I’m beat. To see my latest pubs, however, check out my What’s New page.

Linktree Alternative | Stop Giving Your Web Traffic Away

May 28, 2023 ·

Stop giving your web traffic to Linktree and create your own page with buttons. You have more customizing options and you can improve your page ranking while encouraging people to click around your site, read your poems, look at your art, read your blog, and more. Your website is your public face and your play space, so invite people into it, unless of course, you want it private, in which case, you should put a padlock on it. That’s in a different blog post.

Most CMS systems including WordPress have programmable buttons you can use to make links. You may not be limited to rectangles or oblong shapes either. If you have a little graphic design ability, you could even make your Unlinktree page from octopus icons, red shoes, or something really eccentric. The buttons are just a design convenience as they come ready to use.

In WordPress, I suggest putting them in a block container, then stack and copy buttons and style them how you like. Note there are lots of plugins available if you don’t like the standard WP ones. Just search for buttons in plugins. Set your page to full width. If you have a sidebar, it won’t be displayed on this page.

Getting rid of a menu is more trouble unless your theme provides that option (you’ll likely have to code), but here’s the thing, with your menu showing, it invites people into your website. While traditional landing pages usually omit the menu to focus on the call to action, what you really want people to do is read your work, buy your book, etc. Linktree was never really a call-to-action page. It was a multi-link page and a convenience for people without websites. And it has a tendency to become an overwhelming sprawl if you don’t manage/update it.

If you are a website owner using Linktree, why not keep that traffic for you and grow your audience? Have fun making your own, and feel free to color code the buttons to differentiate the link types. See my color-coded, Unlinked tree page here. If you need me to make you one, feel free to send me a note using my contact form (with the numbers of links), and I’ll give you a quote.

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