Koss Works
Writing | Poetry | Art
So grateful for this publication in Schuylkill Valley Journal, Volume 54, Spring Summer 2022, of “Telemother,” a mother poem I wrote in my twenties (it has been refined). This is such a handsome issue. When humans kill themselves off and the apes learn to read, they’ll find this in an abandoned used bookstore and love it. So much to love about print.
Honored to be included in the latest San Pedro River Review (Vol. 14 No.2) in the company of some great poets. This is a long poem about my great-grandmother, West Virginia logging, labor, and my southern roots. I will update this with the actual poem in the near future, but here’s the link to buy it on Amazon.
I’m honored to have a strange, mystical synesthetic poem, “Hue Sung,” in the latest issue of Red Ogre Review. There’s an eclectic mix of work in this issue, including art, prose poems, and poems. This piece will also be in their fall anthology. The acceptance came fast and the piece was up quickly. I love editors who are so professional and efficient. Looking forward to what Red Ogre does in the future.
Hyacinth, a gorgeous new journal that publishes a range of poetry, photography, and art, published a suite of photographs, August, on August 11, the anniversary of Max’s suicide. Three of these were taken with her by my side a couple of days before she died. Two were shot shortly after. One angel piece also appeared in Harpy Hybrid, who published several poems and photos last year. It was kind and thoughtful of the editors to publish them on this day. They are also publishing a poem about healing from grief in November.
The above photo was taken with Max two days before she suicided. This one was not included in the review. A black and white version previously appeared in Harpy Hybrid Review.
How lucky can I be? Bending Genres included a flash, Sister Story, which I wrote in my twenties called Sister Story in issue 28. This is a difficult piece about how secrets get buried in marriage, stories, and language itself.
I’m very grateful to Meg Tuite, David O’Connor, Robert Vaughan, and the rest of the Bending Genres staff. This issue includes a bunch of writers including:
Andrew Maynard
Lindsey Pharr
Maria Poulatha
Brad Rose
Joe Kapitan
Tina Barry
Keith Powell
Chelsea Stickle
and others. . . .
