Petrichor Issue 21 is full of interesting writing and includes a number of great visual art pieces. My work is an ekphrastic poem about Joan Mitchell’s “The Hudson” painting from the 50s, called “The Hudson Looks Different.” Also included is an asemic art or writing piece, made from old journals and sketchbooks, a palimpsest of sorts. I love the range of experimental work in Petrichor and am grateful to Seth Copeland and the other editors for these publications. Find my work here.
Publications
Gone Lawn Issue 46 | Flash | Koss
Honored to have cover art and flash in Gone Lawn Issue 46. The artwork is hand drawn, then enhanced digitally. The flash, “The Dictations of Cabbages,” is, I think, a COVID persona piece written in the voice of a carrot on the moon. Okay, I hope I didn’t spoil it. It’s unlike anything I’ve written. Enjoy.
Gone Lawn Best of the Net Nominations 2023
Really honored to have my zuihitsu poem, “Again: Holidays” nominated for the 2023 Best of the Net anthology for the poetry category. Very grateful to Owen Wyke and Amy Barnes for the nomination.
Outlook Springs Best of the Net Nominations 2023
Very pleased and surprised to be among Outlook Springs Best of the Net nominees for 2023. My poem, if William Burroughs Were Your Secretary, published in Outlook Springs print journal and online, was nominated. There’s lots of great poetry and fiction you can find on their site. Check out the print issue and my sound file on my audio page. Also, another funny poem about job interviews, “Core Values,” was published on their site and there’s also an audio file here on my website. I love Outlook Springs and am grateful to Jeremy John Parker, Andrew R. Mitchell, Jayce and Al Mitchell and the other editors for this honor (and for having a sense of humor).
Mom Egg Review | Eco-Poetry Folio
Surprised and happy to be included in Mom Egg Review’s online eco-poetry-themed folio. It includes a great selection of poets, so be sure to read the whole issue here, and find my work here. The poems in this portfolio, curated by Cindy Veachy and Jennifer Martelli, are mother-ecological pieces with a range of poetic expressions.