Koss Works
Writing | Poetry | Art
Honored to have some visual poetry in Harpy Hybrid Review (three pieces included). This is my second publication with them, so I’m thrilled to be invited back. They include questions for the artists to complete describing their process, so I did my best to shed some light. This is a great issue with lots of visual poetry as well as writing. I love this ‘zine. Find my work here, and read about my other Harpy Hybrid publications here.
Petrichor Issue 21 is full of interesting writing and includes a number of great visual art pieces. My work is an ekphrastic poem about Joan Mitchell’s “The Hudson” painting from the 50s, called “The Hudson Looks Different.” Also included is an asemic art or writing piece, made from old journals and sketchbooks, a palimpsest of sorts. I love the range of experimental work in Petrichor and am grateful to Seth Copeland and the other editors for these publications. Find my work here.
Honored to have cover art and flash in Gone Lawn Issue 46. The artwork is hand drawn, then enhanced digitally. The flash, “The Dictations of Cabbages,” is, I think, a COVID persona piece written in the voice of a carrot on the moon. Okay, I hope I didn’t spoil it. It’s unlike anything I’ve written. Enjoy.
Honored to have tornado artwork (a watercolor) in the first Eat the Storms literary print journal, a project of the international Eat the Storms Poetry Podcast (from Ireland). It’s a fine-quality journal with glossy pages and color work–plus lots of great writing. Eat the Storms Podcast and Eat the Storms Journal are edited/curated by Damien Donnely, and the issue was co-edited by Gaynor Kayne, a Belfast poet.
Hyacinth, a gorgeous new journal that publishes a range of poetry, photography, and art, published a suite of photographs, August, on August 11, the anniversary of Max’s suicide. Three of these were taken with her by my side a couple of days before she died. Two were shot shortly after. One angel piece also appeared in Harpy Hybrid, who published several poems and photos last year. It was kind and thoughtful of the editors to publish them on this day. They are also publishing a poem about healing from grief in November.
The above photo was taken with Max two days before she suicided. This one was not included in the review. A black and white version previously appeared in Harpy Hybrid Review.