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Art

Gone Lawn Issue 46 | Flash | Koss

October 2, 2022 ·

Honored to have cover art and flash in Gone Lawn Issue 46. The artwork is hand drawn, then enhanced digitally. The flash, “The Dictations of Cabbages,” is, I think, a COVID persona piece written in the voice of a carrot on the moon. Okay, I hope I didn’t spoil it. It’s unlike anything I’ve written. Enjoy.

Gone Lawn flash publication with cabbage moon face by Koss--a green moon on black background
The Dictations of Cabbages, Promo Art for Gone Lawn Flash Piece by Koss

screenshot of gonelawn tweet with covert art for issue 46, woman standing with arms folded on a building in a dark city with spooky lighting.
Cover Art by Koss for Gone Lawn 46

Eat the Storms Inaugural Issue | Artwork by Koss

September 4, 2022 ·

Honored to have tornado artwork (a watercolor) in the first Eat the Storms literary print journal, a project of the international Eat the Storms Poetry Podcast (from Ireland). It’s a fine-quality journal with glossy pages and color work–plus lots of great writing. Eat the Storms Podcast and Eat the Storms Journal are edited/curated by Damien Donnely, and the issue was co-edited by Gaynor Kayne, a Belfast poet.

tornado watercolor painting by Koss in gray with umber background, a page from the Eat The Storms inaugural issue.

Hyacinth Review | Photographs

August 22, 2022 ·

Hyacinth, a gorgeous new journal that publishes a range of poetry, photography, and art, published a suite of photographs, August, on August 11, the anniversary of Max’s suicide. Three of these were taken with her by my side a couple of days before she died. Two were shot shortly after. One angel piece also appeared in Harpy Hybrid, who published several poems and photos last year. It was kind and thoughtful of the editors to publish them on this day. They are also publishing a poem about healing from grief in November.

red church and graveyard in england with blue sky background
Photographs by Koss in Hyacinth Review

The above photo was taken with Max two days before she suicided. This one was not included in the review. A black and white version previously appeared in Harpy Hybrid Review.

Anvil Tongue | Emily Dickinson Poems | Wuthering Heights Erasures

July 7, 2022 ·

Happy to be included in this release of Anvil Tongue, a website and book publisher run by Daniel Ryan. An Emily Dickinson erasure on hope, a written poem, and some visual word art based on Wuthering Heights are included. The work is in my manuscript about the suicide of a person dear to me. Some of it is erasure, some of it Art Brut. It defies categorization. See the page here and be sure to check out the whole issues. Also see more images/erasures from this series in Up the Staircase Quarterly (also published this year).

Hope, an Emily Dickinson Erasure Poem by Koss on coarse burlap background in black and white.
Hope, an Emily Dickinson Erasure Poem by Koss

Drawing and Grief

May 17, 2022 ·

I’ve been organizing and digging through years of debris as I figure out what I want my life to look like going forward. Haven’t been able to write lately but have been making cards and paper art, which does something else creatively. It’s nice to be outside of language right now. Below, a drawing of a guy I worked with on a ground’s crew (years ago) and a horse, plus a doodle I did today, “The Grief Eater.” Sometimes all you got is a doodle. Strongly recommend watercolors as a way of de-stressing–even if you’re just pushing them around with no purpose. Oh, and scribbling is good too. That’s all for now. Thanks for stopping by.

cartoony drawing with red, orange and blue watercolor and a woman slinging snakes while sucking the sludge from the void.
The Grief Eaters (a doodle by Koss)
horse drawing ink
Horse (ink drawing by Koss)
man sitting with arms folded and cap on--a pencil drawing with age stains on it
Man (pencil drawing by Koss

Asemic Writing, Erasure Poetry | Up the Staircase Quarterly

May 3, 2022 ·

Grateful to be in Up the Staircase Quarterly #57. This issue is full of great poetry and art. Poetry by these people included:

  • Quinn Forlini | “Attenuation”
  • Sanvitti Sahdev | “I fill up”
  • Fiona Lu | “hunting”
  • Oluwafisayo Akinfolami | “Semantics”
  • Satya Dash | 2 poems: “Elasticity” and “Two Deaths”
  • Jill Khoury | “Subjective Units of Distress Scale 1-10”
  • Ran Zhao | “floodpath”
  • Olivia J. Kiers | “Shower: Arc de Triomphe”
  • Anaïs Deal-Márquez | “Gringa.”
  • Jace Raymond Smellie | “for my grandma doris almost four years after”
  • Chase Dimock | “Contaminants”
  • Kolbe Riney | 2 poems: “sexy villain” and “voyager”

and artwork by:

  • Sara Louise Wilson | Haunt Me + more
  • Elizabeth Wing | Blüd Rites
  • jw summerisle | Strangers
  • Shelbey Leco | Blue.
  • Koss | Wuthering Heights 1, Magpie +more
  • Tomislav Silipetar | WHAT IS LEFT

Emanuela Iorga is the issue illustrator with multiple bullet-riddled images in a starkly graphic (not literal) style.

Also, reviews by:

  • Tyler Friend | Him or Her or Whatever
  • Jasmine Elizabeth Smith | South Flight
  • ​L.E. Bowman | What I Learned from the Trees

I have four pieces from a magpie/hare series slated for my book, plus one visual poem that utilizes text from a poem, “Shoulder Story,” originally published in Rogue Agent. The other pieces reference or erase passages of Wuthering Heights. Find my page here, and read the whole issue here.

I’ve been taking a break from writing poetry and doing visual word art, including asemic writing/recycling from journals, crossword poems, and uncategorizable stuff, but I have lots of work coming out in the next few months, including some difficult abuse writing and some more visual poetry in Diode. It feels good to get back to painting and drawing.

Magpie asemic art piece with writing and Wuthering Heights erasure poetry text in and surrounding black magpie.
Up the Staircase Visual Poetry, Asemic Writing, and Erasure Poetry by Koss
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