It’s been a busy publishing year and since creating a “What’s New” page, I’ve been really lazy about updating the site. I see people are actually looking at my blog, so I should be writing something brilliant for you (thank you for checking it out). Truth is, my Aquarian brain is sometimes visual, sometimes verbal, and sometimes able to write things. But I’ve mostly been in visual mode all year… so I hope you enjoy those things. I’ve had lots of publications since my last update. You will find some, but not all on my “What’s New” page. If you are not up to reading, you can certainly skip to that page for quick links. But know there are some erasure poems at the end of this article.
Compared to other years I submitted SIGNIFICANTLY less this year, but I did submit some. You may have read the popular blog post suggesting you submit 100 subs. I think 200-300 is a better range if you are serious about publishing. Of course, if you do long-form writing, 300 will probably not be possible, but if you write microfiction, flash, and poetry, maybe…
You will hear criticism about sending lots of subs and, of course, editors would like to feel their magazine is special so you should only submit to them and a couple of select others, but here’s the thing, their journals can still be special while you are trying to take care of yourself. Subbing in quantity is especially important for marginalized people as we don’t have access to the same networks and, I have to say, privileges that certain other groups have. This does not reduce it to a numbers game — you should still send to journals you like and editors you trust. If 300 is overwhelming, then start with 100. If you’re only submitting to say, those university presses and fancy publications, you might get a 3-percent placement. From what I’ve heard, this would not be a bad number, depending on the acceptance rates of the publications. But enough of my advice.
So here are a few highlights of my publishing life since April (when I published my last update). I had five poems including a new erasure published in Speakeasy, a new queer journal. They are to be compiled into their inaugural issue. If you like Transformers, you’ll like the erasure. It’s so nice to get a little love for erasure poems.
Cutbow included an asemic piece and used it for the cover (check out the main image on this page). If you haven’t seen Cutbow, it’s a very professionally managed (by editor, Arden Hunter) print and digital journal for experimental and visual poetry.
I have two Wuthering Heights visual erasures forthcoming in the print version of Permafrost. They say it will be released this month after a long delay. Fingers crossed. You can find more of my Wuthering Heights pieces here and here in several other journals including Sage Cigarettes and Beaver Mag, both run by lovely people, I can’t say enough nice things about the Sage Cigarettes staff (Sadee, L.E., Steph and all). Beaver Mag also included one of my crossword poem/collages in their “Tacky and Tasteless” issue this past summer. Beaver Mag is a queer-friendly newer journal with very diverse taste in art and poetry. They are LOVELY and friendly. You should send them work if they seem like a good fit.
Another of my favorite journals for experimental work, Petrichor, also published crossword poems in their latest giant issue. They were published in the Pebbles section and they have a new future/sci-fi call up soon you might want to check out. I believe the deadline was extended, but I’d check out their Twitter or Blue Sky page for updates. Petrichor also blew me away with a BoTN nomination for an ekphrastic poem they previously published. Find it here. Seth (EIC) is another extremely professional editor and I highly recommend Petrichor, especially for experimental writing and visual poetry.
I have several new asemic writing pieces up at Up the Staircase Quarterly. They do an excellent job of displaying art and there’s lots to look at in this issue, so be sure to check it out. April is another super-nice-professional editor to work with.
I was lucky to get invited to Second Sunday readings. You already missed it, but it lives on YouTube.
And, finally, I was blessed to receive some Best of the Net nominations this year. You can read about them and find links to the work, along with many of the other nominees on this dedicated page. I’m very grateful to all of the editors for thinking of me, and this happened during a rather discouraging time… Being a writer and artist is a tough path, as I’m sure you know if you’re reading this.
Be well. Keep writing, painting, drinking coffee, and most of all, I hope you’re making space for joy. My recent joys include joining an asemic group on social and seeing all the wonderful work people do. There is something very different about taking in art as opposed to reading for me as it occurs in a “brain-rest” state. I highly recommend inviting visual art into your world. The other joy over the last couple days is the blackout rejection letter poems people are sharing on social. I’ll leave you with several I made. Thanks for stopping by.
